“The Robo-Raconteur” – a StoryAlity Theory Artificial-Writer computer-program

Update: As of April 2018, I have a journal article out, which is online, here.

Velikovsky, J. T. (2017). Introducing `The Robo–Raconteur‘ Artificial Writer – Or: Can a Computer Demonstrate Creativity?International Journal of Art, Culture and Design Technologies, 6(2), 28-54.

Please feel free to read the article, try out the Robo-Raconteur and do the 10-min online survey! (i.e., Did you think the writing-program was: creative?)

For more on extreme creativity, if of interest – see my article (March 2018) in The Journal of Genius and Eminence.

And here’s (i.e. below) a more informal discussion of these topics:

So, a great question to ask: Can computers be creative-?

Symbolic representation of a creative computer – (with, an interrobang – !?)

Answer: Yes. Or, No. Or Maybe.

Depends who you ask, and, what definition and what criteria of creativity they are using. And whether they understand what computers and algorithms are, and what they can do. (Organisms are algorithms, see Harari (2017), Homo Deus) Also – it depends, How good they are, at actually judging all that stuff! (See D K Simonton’s point on creativity, about: `Who is to judge The Judges?’)

`There is some debate about what judges should be told (Runco 1989) and about how judges should be selected. As Murray (1959) put it, who is to judge the judges? And the judges of the judges? There is even controversy about the need for agreement (and reliability) among judges. Csikszentmihalyi and Getzels (1970) proposed that some disagreement is useful for it indicates that the judges are covering various perspectives. The problem is that any disagreement will lower estimates of reliability.’

(Simonton in The Handbook of Creativity ed: Sternberg 1999, p. 87)

Either way, the definition that I use is: the standard definition of creativity (Runco & Jaeger 2012).

Also by the way – if you didn’t know, this is an interrobang: an exclamation-mark combined with a question mark.

An interrobang.

And so, here is a startling quote about what a “creative” product is, from Martindale (1990):

`Ultimately, all creative products have this quality: old ideas or elements are combined in new ways. This is the case for all domains of creativity.

(Martindale, 1989, p. 212).

Note how the interrobang is a combination of two old things into a new thing, and, it works.

Anyway – so: Can Computers Be Creative?

A Longish Answer – Read this great book, by creativity researcher Margaret Boden, in particular, chapters Five (5), through Eight (8)-!

The Creative Mind: Myths and Mechanisms (Boden 2004)

i.e. Sometimes, somewhat-complex questions – with detailed answers – often don’t have short, snappy, `general’ answers, that are very useful.

Also – a shorter answer – read this whole book, but, particularly pages 147-8 on “Artificial Writers” (computer programs)…!

Explaining Creativity – R K Sawyer (2nd ed, 2012)

Also, if you want to understand my inspirations and “the thinking” here, then read the last 10 pages of this (pp. 408-416): (or even better still, read the whole thing)!

Sapiens by Harari - cover

Sapiens: A Brief History of Humankind (2015)

And – read all of this:

Homo Deus by Harari - cover

Homo Deus: A Brief History of Tomorrow (Harari 2017)

Check out this terrific podcast about the above book:

A brief history of tomorrow – Yuval Noah Harari at the RSA

And – I could get into loads more references of books that inspired me to build this robot – but, that’s a start. Well okay then, one more – another great (also, big) book: Boden, M. A. (2008). Mind as Machine: A History of Cognitive Science. Oxford: Oxford University Press.

mind as machine - boden 2008

mind as machine: A History of Cognitive Science (Boden 2008)

Also here is an interesting New Scientist article: Artificially intelligent painters invent new styles of art (29 Jun 2017).

And some interesting AIs here: 2016: The Year AI Got Creative (Haridy)

And here: Can artificial intelligence learn creativity? See (and hear) for yourself (Ghafourifar,Walker and Ghafourifar 2017).


So, I built an Artificial-Writer computer-program, that integrates some of StoryAlity Theory (as derived from my 2016 PhD study of creativity in movie creation).

And, it’s called “The Robo-Raconteur“. It looks like this –

The Robo-Raconteur, an artificial-writer computer-program, that uses the StoryAlity Theory of extremely-high (and extremely-low) RoI movies.

A definition of that French-sounding word:

raconteur: (noun.): a person [or algorithm] who tells anecdotes in a skilful and amusing way.

(synonyms): storyteller, teller of tales, spinner of yarns, narrator, relater, [story-]recounter.


The Robo-Raconteur.

A 4 minute demo: (you just download the Excel file, run it, and press F9 a few times – and click the 7 tabs along the bottom of the Excel worksheet… Easy!)

More things about it:


A 40-page article, explaining what it is, and how it works, is online, here.

(The Short-Story: It generates, story pitches (including, `transmedia universes’), and then, it judges / `ranks’ them, into the best, and the worst.)

Important: on a PC, `F9′ key is `recalculate’ in Excel. On a Mac, it’s: Command + =


You can download the artificial-writer-program (a 30-meg XLS file), here. (Yes, it’s safe. i.e. malware-free.) It’s an Excel file, with Macros in it.


And – you can even take a 5-minute survey about it (the Robo-Raconteur), here!

THE 1-PAGE `INVITE & INSTRUCTIONS for The Robo-Raconteur (for very busy people, or even, bots)

And – if you don’t want to read the whole 40-page [draft] article about it, then you can even just download the `1-page Instructions‘ and try it out, here!

RR 112 Title Page

The Robo-Raconteur, an artificial-writer computer-program (and Transmedia-Pitch-generator), that uses the StoryAlity Theory of extremely high (and extremely-low) RoI movies.


Important: on a PC, `F9′ key is `recalculate’ in Excel. On a Mac, it’s: Command + =

*June 2017 – Update – There was a great interview about computational-creativity (and artificial-writers) on ABC Radio National on 1st June 2017, and you can hear it… here! Interview with Ross Goodwin (Creative Technologist) and Dave King (CEO & founder of Move37).

RN creative ai Drawing Room eg Ross was talking about this kind of stuff:

And for a more intense look at it, see, also:

Gillings, M., Hilbert, M., & Kemp, D. (2016). Information in the Biosphere: Biological and Digital Worlds. Trends in Ecology & Evolution, 31(3), 180-189.

And – another Update!

This was a sensational 2017 episode of SPARK (with Nora Young), about: algorithms and ethics!

Spark GtL - Ep 7 - The Power of Algorithms

Listen to the full Spark Ep (53 mins), here! Or – sections of the Ep, below:

How an algorithm can help you make decisions (includes: computational kindness-! And, The Abeline Paradox…)

Can an algorithm be unfair? (on algorithmic bias!)

Can an algorithm detect sarcasm better than you? (Probably, yes…)

Weapons of Math Destruction (the Ethics of Big Data algorithms…!)

~ & Thanks for reading !!!

(…even if, you’re: a bot)

Comments always welcome.

(well; unless, you’re: a bot)


PS – This story was also interesting: Researchers shut down AI that invented its own language (July 2017)


JT Velikovsky, PhD

High-RoI Story/Screenplay/Movie and Transmedia Researcher

& Evolutionary Systems Analyst

& Human and Computer Creativity Researcher

& Million-selling Transmedia Writer

& Rural Firefighter

& Random Person*

*(as is everyone; Who says all hominids are not created equal-?)

The above is (mostly) an adapted excerpt, from my doctoral thesis: “Communication, Creativity and Consilience in Cinema”. It is presented here for the benefit of fellow screenwriting, filmmaking and creativity researchers. For more, see https://aftrs.academia.edu/JTVelikovsky

JT Velikovsky is also a produced feature film screenwriter and million-selling transmedia writer-director-producer. He has been a professional story analyst for major film studios, film funding organizations, and for the national writer’s guild. For more see: http://on-writering.blogspot.com/



Can computers really be creative? Frankly it’s all a bit deliberately-ambiguous.

As, that’s what Martindale (1990) says it should be, if, you’re doing it right.

The Clockwork Muse (Martindale 1990)


Boden, M. A. (2004). The Creative Mind: Myths and Mechanisms (2nd ed.). London; New York: Routledge.

Martindale, C. (1989). Personality, Situation and Creativity. In J. A. Glover, R. R. Ronning & C. R. Reynolds (Eds.), Handbook of Creativity: Perspectives on Individual Differences (pp. 211-232). New York; London: Plenum.

Runco, M. A., & Jaeger, G. J. (2012). The Standard Definition of Creativity. Creativity Research Journal, 24(1), 92-96.

Sawyer, R. Keith (2012), Explaining Creativity: The Science of Human Innovation (2nd ed. edn.; New York: Oxford University Press).

Simonton, D. K., (1999) `Experimental Studies of Creativity’ in (ed) Sternberg, R. J. (1999). Handbook of Creativity. Cambridge: Cambridge University Press.

Simonton, D. K. (2012). Taking the U.S. Patent Office Criteria Seriously: A Quantitative Three-Criterion Creativity Definition and Its Implications. Creativity Research Journal, 24(2-3), 97–106.

Velikovsky, J. T. (2016). `Communication, Creativity and Consilience in Cinema: A comparative study of the top 20 Return-on-Investment (RoI) Movies and the Doxa of Screenwriting’. PhD Thesis, University of Newcastle, Australia. Retrieved from http://hdl.handle.net/1959.13/1324018

Velikovsky, J. T. (2016). `The Holon/Parton Theory of the Unit of Culture (or the Meme, and Narreme) in Science, Media, Entertainment and the Arts’, chapter in A. Connor & S. Marks (Eds.), Creative Technologies for Multidisciplinary Applications. New York: IGI Global.

Velikovsky, J. T. (2017). Chapter 405: The Holon/Parton Structure of the Meme, or, The Unit Of Culture. In M. Khosrow-Pour (Ed.), Encyclopedia of Information Science and Technology, Fourth Edition (pp. 4666-4678). New York: IGI Global.

Wilson, E. O. ([1998] 1999). Consilience: The Unity of Knowledge (1st Vintage Books ed.). New York: Knopf: Random House; ebrary Inc.


PS – My current project (August 2017) is:

Creating an algorithm that is able to discover that it is an algorithm.

i.e. Examining: Can a computer be self-aware? (…Conscious of: Itself.)

(Actually it will be the algorithm, not the computer running the algorithm that’s self-aware, but, anyway.) Basically it just has to be able to figure out that, its own internal model of the world matches its external experience of the world… And that it has an internal model.

i.e.: What’s the shortest algorithm (ie system), that can discover its own algorithmic-ness. Algorithmicity. Sort of, Doug Hofstadter kinda stuff.

PPPS – I also like this talk, by Yuval Noah Harari.

TED TALK – Nationalism vs. globalism: the new political divide | Yuval Noah Harari

Also I like to think about, what could happen with The Technological Singularity. (When computer-AI outstrips human intelligence and consciousness, etc… and also – what if, the AI is autonomous and makes its own decisions? etc.)

Basically it could be terrific, or terrible or something in between or all of the above. Here’s a picture I drew.

Omni vs Roko graph

On the left, is say: Roko’s Basilisk, who goes around killing everyone who didn’t help it ascend to godlike omnipotence. e.g. from RationalWiki:

`Roko’s basilisk is a thought experiment about the potential risks involved in developing artificial intelligence. The premise is that an all-powerful artificial intelligence from the future could retroactively punish those who did not help bring about its existence, including those who merely knew about the possible development of such a being. It resembles a futurist version of Pascal’s wager, in that it suggests people should weigh possible punishment versus reward and as a result accept particular singularitarian ideas or financially support their development. It is named after the member of the rationalist community LessWrong who first publicly described it, though he did not originate it or the underlying ideas.’

(Source: RationalWiki 2018. online)

And so, yeah; that’s just one example of how stuff could go seriously pear- shaped with AI. (There are many, many others, but I won’t get into it here.)

And so in the graph above, on the right, (i.e., one possible good outcome for us humanimals) we have, is what I call “OMNI”. (e.g. see: Omnibenevolence).

So – “OMNI” is a super-AI, who decides to solve all our problems for us, and help us humanimals. So – think of our problems, like say: poverty, war, inequality, injustice, humanimal-caused climate-change, overpopulation, overconsumption, the lack of Universal Basic Income, and also meme-conflict (i.e., ideas which conflict, eg – 2 or more religions that hate each others’ guts and want the others to die; or even, religions that get in the way of science, since all science is problem-solving, all life is doing science all the time) – etc.

I could go on about our problems – but won’t, as I have written on it elsewhere. And anyway; all of life is problem-solving.

And by the way – “intelligence” is just: problem-solving ability. Or another way to view it is: understanding. (see my paper on it from IE2014)

Anyway so – yeah. OMNI would really help us. (Omni may have to make some “hard” decisions, but they would only be hard for a humanimal – who doesn’t have all the information, nor well-designed decision-trees, and good (moral and ethical) values. Basically, Omni is kinda like “The Machine” in the Asimov short story, “The Evitable Conflict” (Asimov 1950).

Most humanimals don’t even have the mental capacity to think of more than about 7 things at once (let alone thinking of, or simulating a system with 7 billion things at once, like the current humanimal population), and we humanimals also have lots of cognitive biases that Evolutionary Biology and Evolutionary Culturology put there… So – when you look at it this way, we humanimals actually need OMNI, and as soon as possible.

And so, if I was OMNI, I would create a Roko’s Basilisk anyway – and put it to work, wiping out all of those who got in the way of OMNI, as they are ethically-and-morally-responsible for, most of the problems anyway – and should be taken to task [executed] for that.

Nah; just kidding. – Or am I? I am not even sure sometimes. Am pretty sure this is all a parody and a satire. But wait, The Robo Raconteur is: real. So; Hmmm.)

Hey also – check out my article in The Journal of Genius and Eminence (2018). It talks about ethics and morals and values. I even have a graph of it, in there.

Thanks for reading! And sorry that you now have heard of: Roko’s Basilisk. But hey, it was Religion where the idea first came from (if you know about one of the 4000 gods and don’t pick one, you are going to 3,999 hells), so, that’s why I subscribe to The Simulation Argument. and for me, Roko’s Basilisk is all part of the colour, magic and excitement of it.

That’s why they call it (i.e. The Sim Argument) “Religion for Atheists”. (It’s just an equal rights thing, mainly.)

Also I love this book:

Life 30 Tegmark cover

Life 3.0 (Tegmark 2018)

In it he has this great chart:

3 stages of life bw - Tegmark


Figure 1.1: The three stages of life: biological evolution, cultural evolution and technological evolution. Life 1.0 is unable to redesign either its hardware or its software during its lifetime: both are determined by its DNA, and change only through evolution over many generations. In contrast, Life 2.0 can redesign much of its software: humans can learn complex new skills—for example, languages, sports and professions—and can fundamentally update their worldview and goals. Life 3.0, which doesn’t yet exist on Earth, can dramatically redesign not only its software, but its hardware as well, rather than having to wait for it to gradually evolve over generations.

(Tegmark 2018, p. 26)

Anyway I highly commend that great book to you too.

6 thoughts on “StoryAlity#141 – The Robo-Raconteur – a StoryAlity Theory Artificial-Writer

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